Almost everybody loves chocolate, right? That’s exactly what I was thinking when I was working on some models for our previous Halloween and Christmas candy articles. As I was working on those projects, I came across a surprisingly quick and easy way to apply full-color patterned textures to CAD models for 3D printing on the Stratasys J750 and J850, using SOLIDWORKS Visualize, and had the idea to use this method to make chocolate bars for Valentine’s Day!
Rich Annino Latest Blog Articles Page 2
February 14, 2020
December 23, 2019
In October, we 3D printed some cool-looking lollipops on our Stratasys J-series PolyJet 3D printer to showcase the life-like quality that can be achieved with Vero and Agilus30 materials. Keeping up with the candy theme for the holidays, I thought it would be fun to create an incredibly life-like jawbreaker on the J750, which also provides an exciting opportunity to go over the Part Priority feature in GrabCAD Print. This feature helps novice modelers and users of CAD software that don’t make great watertight models create amazing 3D printed parts, exactly how they want them to be without needing to go back and fix their models.
October 31, 2019
Over the past year, we at TriMech have been able to make some fantastic full-color PolyJet models using the Stratasys J750, but as we close in on 2020, Stratasys has just announced the newest addition to their J-series of PolyJet 3D printers, the J850. To celebrate, and also to prepare for Halloween, we’re taking full advantage of what the J-series can do by making some incredible full-color rigid and flexible semi-translucent TriMech lollipops!
August 13, 2019
The Stratasys J750 is capable of all sorts of amazing things, as we’ve seen recently with our articles involving the application of real-to-life textures and eyewear prototyping. An amazing new application for the Stratasys J series of printers that I’ve been running into quite a bit is the creation of full-color topographical maps that display visual data on top of satellite imagery, similar to how GIS software overlays data onto a two-dimensional map, but with the bonus of being able to quickly display elevation as well! What we’ve found in our initial studies of this application is that these three-dimensional maps are great at displaying data in a way that can’t quickly be understood when looking at a two-dimensional variant, such as census data regarding population density in relation to mountains and valleys. To get a good idea of what goes into this process, we’re going to overlay street data for the area surrounding Boston onto a topographical map of Eastern Massachusetts.
July 4, 2019
The VeroFlex and VeroFlexVivid family of materials are an unbelievably unique set of new materials available on Stratasys J Series 3D printers, which are capable of producing parts that have improved strength and flexibility while retaining great shape memory. Similar to how our simulated rubber-like Agilus material works, parts produced in either VeroFlex or VeroFlexVivid do not need to be handled as gently as other material parts and will hold up with little fear of them breaking. However, unlike Agilus, this material produces parts that are rigid and will snap right back to their original shape after being flexed in any direction. This makes them a great material to print high-quality full-color parts that are thin, like eyewear and small action figures, so today we’re going to show these new materials in action as we make some incredible Fourth of July sunglasses!
June 18, 2019
Printing amazing full-color, real to the touch textures using the Stratasys J735 or J750 printer and Agilus30 White simulated rubberlike material is truly amazing. Previously, we discussed some ways to create colored 3D texture files for printing through the use of wood and stone 2D image files. In this article, I’m going to show you some tips and tricks when creating your full-color 3D models in Adobe Photoshop to create a leather texture. Additionally, I’ll share some things to look out for when you are creating your models to avoid not-so-appealing final models, and what you can do to fix these issues.
May 21, 2019
In our last article, “How Do I Print Wood", we learned how to 3D print a texture in full-color using the Agilus30 White material on the Stratasys J750. We discussed how to use new SOLIDWORKS 2019 features to create physical 3D displacement models using a 2D bump mapping pattern and then apply the color texture to the model in Adobe Photoshop CC.
In this article, I’m going to show you another method to accomplish nearly the same end product, this time using a stone texture and only Adobe Photoshop CC. What’s more, we’ll go into how 3D displacement using bump maps in Photoshop works, showing you a quick and easy method to manually alter those bump maps to make smoother or coarser physical textures.
April 9, 2019
The ultimate goal of 3D printing prototype models is to create a part as close to the final product or part as possible. Ideally, you would be able to test the part for functionality and/or appearance to determine if your design is the correct one. That said, most of the time designers create their prototypes with overall part dimensions in mind and ignore the final physical surface textures and aesthetics because they are either too difficult to design or dismissed as just a “nice-to-have” but non-essential feature for this early phase of the project cycle. But what if you could include that level of detail?
Now, with the new software tools in SOLIDWORKS 2019 update and Adobe Photoshop CC, along with the new Agilus30 White material on the Stratasys J750, it’s easy to create these textures in full color that mimic what your final production material will be.
January 15, 2019
Today I’d like to introduce some new 3D printing materials which take our prototype automotive lighting component printing capabilities to the next level: the VeroVivid Color Family.