The Stratasys J750 is capable of all sorts of amazing things, as we’ve seen recently with our articles involving the application of real-to-life textures and eyewear prototyping. An amazing new application for the Stratasys J series of printers that I’ve been running into quite a bit is the creation of full-color topographical maps that display visual data on top of satellite imagery, similar to how GIS software overlays data onto a two-dimensional map, but with the bonus of being able to quickly display elevation as well! What we’ve found in our initial studies of this application is that these three-dimensional maps are great at displaying data in a way that can’t quickly be understood when looking at a two-dimensional variant, such as census data regarding population density in relation to mountains and valleys. To get a good idea of what goes into this process, we’re going to overlay street data for the area surrounding Boston onto a topographical map of Eastern Massachusetts.
July 4, 2019
The VeroFlex and VeroFlexVivid family of materials are an unbelievably unique set of new materials available on Stratasys J Series 3D printers, which are capable of producing parts that have improved strength and flexibility while retaining great shape memory. Similar to how our simulated rubber-like Agilus material works, parts produced in either VeroFlex or VeroFlexVivid do not need to be handled as gently as other material parts and will hold up with little fear of them breaking. However, unlike Agilus, this material produces parts that are rigid and will snap right back to their original shape after being flexed in any direction. This makes them a great material to print high-quality full-color parts that are thin, like eyewear and small action figures, so today we’re going to show these new materials in action as we make some incredible Fourth of July sunglasses!
Printing amazing full-color, real to the touch textures using the Stratasys J735 or J750 printer and Agilus30 White simulated rubberlike material is truly amazing. Previously, we discussed some ways to create colored 3D texture files for printing through the use of wood and stone 2D image files. In this article, I’m going to show you some tips and tricks when creating your full-color 3D models in Adobe Photoshop to create a leather texture. Additionally, I’ll share some things to look out for when you are creating your models to avoid not-so-appealing final models, and what you can do to fix these issues.
May 21, 2019
In our last article, “How Do I Print Wood", we learned how to 3D print a texture in full-color using the Agilus30 White material on the Stratasys J750. We discussed how to use new SOLIDWORKS 2019 features to create physical 3D displacement models using a 2D bump mapping pattern and then apply the color texture to the model in Adobe Photoshop CC.
In this article, I’m going to show you another method to accomplish nearly the same end product, this time using a stone texture and only Adobe Photoshop CC. What’s more, we’ll go into how 3D displacement using bump maps in Photoshop works, showing you a quick and easy method to manually alter those bump maps to make smoother or coarser physical textures.
April 30, 2019
TriMech has had the complete Desktop Metal Studio System for over five months now, and we’ve had the opportunity to create some incredible parts with it during that time. One of our favorite parts so far is a heatsink, which utilizes the Studio System’s Bound Metal Deposition (BMD) printing technology to its advantage, in order to print a captured hollow cavity that requires absolutely no support or post-processing, which can’t be machined and is impossible for other metal printing technologies on the market to create.
April 9, 2019
The ultimate goal of 3D printing prototype models is to create a part as close to the final product or part as possible. Ideally, you would be able to test the part for functionality and/or appearance to determine if your design is the correct one. That said, most of the time designers create their prototypes with overall part dimensions in mind and ignore the final physical surface textures and aesthetics because they are either too difficult to design or dismissed as just a “nice-to-have” but non-essential feature for this early phase of the project cycle. But what if you could include that level of detail?
Now, with the new software tools in SOLIDWORKS 2019 update and Adobe Photoshop CC, along with the new Agilus30 White material on the Stratasys J750, it’s easy to create these textures in full color that mimic what your final production material will be.
February 5, 2019
Here at TriMech’s Connecticut office, we had been printing in 17-4 stainless steel using the Desktop Metal Studio Printer beta unit, but in December of 2018, we installed the complete Desktop Metal Studio System! Having the debinder and furnace in-house has really helped us speed up design time on our prototype sample parts.
Now, it’s time to unveil our first official TriMech branded sample part in 17-4 stainless steel from the Studio System, a metal bottle opener.
January 15, 2019
Today I’d like to introduce some new 3D printing materials which take our prototype automotive lighting component printing capabilities to the next level: the VeroVivid Color Family.
December 26, 2018
Magic is in the air this holiday season at TriMech with all of the new toys we’ve been getting here in our print lab lately. Since we’ve been given the gift of an incredible new Stratasys J750, I decided that it would be great to get into the holiday spirit and create a miniature winter scene to share with some of my clients and co-workers that don’t get to experience all of the charm and joy that snow brings this time of year.
November 6, 2018
The J750 is Stratasys’ new flagship PolyJet 3D printer, capable of creating some of the most amazing parts and assemblies you can imagine. Here at TriMech, we’ve upgraded to the newest version of the J750 with all of the latest updates, and we’re all incredibly excited to start making new parts that fully take advantage of what this state of the art system can do!
July 17, 2018
Anyone who has compared traditional FDM (sometimes called Fused Filament Fabrication) to other 3D printing technologies, such as PolyJet, SLA and SLS, has definitely thought at one time or another, “This technology is both inexpensive to print and strong, but I really wish it had better resolution.” In this blog, we explore how to make FDM look as good as other technologies while remaining inexpensive and not impacting overall strength. We’ve printed a horde of Easter Island Moai to play around with the top three ways to smooth PLA parts.
3D printing is a process that embraces the production of unique, customized, short-run parts. During the holiday season, I can think of nothing better to take advantage of this concept than by designing some interesting TriMech and Stratasys themed cookie cutters in SOLIDWORKS and then printing them out using the food-contact safe ULTEM 1010 CG material.